La cançó final dels Beatles restaurada amb intel·ligència artificial, nominada a dos premis Grammy
L'última cançó dels Beatles, "Now and Then" , completada amb tecnologia d'IA, és candidata a dos premis Grammy gairebé 50 anys després de la separació de la banda. Enregistrada originalment per John Lennon a finals dels anys 70, la pista es va acabar després que l'equip de Peter Jackson utilitzés l'aprenentatge automàtic per separar les veus. Ara nominada a Record de l'any i Millor interpretació de rock , "Now and Then" competirà amb artistes com Beyoncé i Pearl Jam. Els premis Grammy 2025 revelaran si aquest retorn assistit per IA farà història.
In January 2025, Meta Platforms announced the discontinuation of its third-party fact-checking program on Facebook and Instagram, opting instead for a user-driven "Community Notes" system similar to that of X (formerly Twitter). This shift has raised concerns among experts and users about the potential increase in misinformation and hate speech on these platforms. Critics argue that relying on user-generated content moderation may be less effective than professional fact-checking, potentially exacerbating the spread of false information. As online environments evolve, it becomes more important than ever to teach our children about fake news, hoaxes, safe internet use, and netiquette.
Source: https://www.wsj.com/tech/social-media-companies-decide-content-moderation-is-trending-down-25380d25
The film The Brutalist, which has garnered numerous Oscar nominations, used innovative AI technology to refine the Hungarian dialogue of its stars, Adrien Brody and Felicity Jones. By leveraging tools from Respeecher, AI adjusted specific vowels and letters to ensure native-like accuracy while preserving the authenticity of their performances. This creative use of AI demonstrates how technology is pushing boundaries in filmmaking, blending artistry with innovation. However, this creative approach has sparked debate about the role of AI in preserving artistic authenticity.
Source: https://www.thetimes.com/article/oscars-the-brutalist-ai-emilia-perez-controversies-rwtw5skgz