La última canción de los Beatles restaurada con inteligencia artificial nominada a dos premios Grammy
La última canción de los Beatles,"Now and Then , completada con tecnología inteligencia artificial, está nominada a dos premios Grammy casi 50 años después de que la banda se separara. Originalmente grabada por John Lennon a fines de la década de 1970, la canción se terminó después que el equipo de Peter Jackson usara aprendizaje automático para separar las voces. Ahora nominada a canción del año y Mejor interpretación de rock "Now and Then competirá con artistas como Beyoncé y Pearl Jam. Los premios Grammy de 2025 revelarán si este regreso asistido por inteligencia artificial hará historia.
In January 2025, Meta Platforms announced the discontinuation of its third-party fact-checking program on Facebook and Instagram, opting instead for a user-driven "Community Notes" system similar to that of X (formerly Twitter). This shift has raised concerns among experts and users about the potential increase in misinformation and hate speech on these platforms. Critics argue that relying on user-generated content moderation may be less effective than professional fact-checking, potentially exacerbating the spread of false information. As online environments evolve, it becomes more important than ever to teach our children about fake news, hoaxes, safe internet use, and netiquette.
Source: https://www.wsj.com/tech/social-media-companies-decide-content-moderation-is-trending-down-25380d25
The film The Brutalist, which has garnered numerous Oscar nominations, used innovative AI technology to refine the Hungarian dialogue of its stars, Adrien Brody and Felicity Jones. By leveraging tools from Respeecher, AI adjusted specific vowels and letters to ensure native-like accuracy while preserving the authenticity of their performances. This creative use of AI demonstrates how technology is pushing boundaries in filmmaking, blending artistry with innovation. However, this creative approach has sparked debate about the role of AI in preserving artistic authenticity.
Source: https://www.thetimes.com/article/oscars-the-brutalist-ai-emilia-perez-controversies-rwtw5skgz